Dr. Sigmund Winston, along with the help of his trusty sidekick Billy, teaches the students of the 1950s how to put more excitement into self-loving.

"Sticky" is everything your mother was too embarrassed to tell you about masturbation, in one stimulating documentary. Full of candid interviews from celebrated figures to everyday people, health care professionals, sex therapists, zoologists, anthropologists, and religious figures, this feature length doc answers age-old questions like: What is masturbation? Will it make me go blind? Is it "normal"? Is it wrong? And why are we so afraid to be caught in the act? In a world where confusion about sexuality remains at the root of so many societal problems - rape, sexual abuse, and the threat of sexually transmitted diseases - "Sticky" will help shatter misconceptions and myths surrounding this intimate aspect of human sexuality.

"Nove Ospiti per un Delitto" is a mediocre giallo in the tradition of Agatha Christie's "And Then They Were None". Nine members of the same family go to an island, where nobody lives - but the head of the family (Arthur Kennedy) owns a nice house there. Problem is that he and his three sons keep a dark secret, and this dark secret begins to haunt them as soon as they are on the island. One by one they fall victim to a mysterious killer... (IMDb)

In 1974, Marker made La solitude du chanteur de fond, which follows Yves Montand as he 　　prepares a benefit concert for Chilean refugees. That Montand had not performed live in many 　　years made his participation in this concert all the more significant. The portrait of Montand 　　is intercut with footage from films in which he starred, including Costa Gavras's Z (1969) and 　　L'Aveu (1970), both filmed in Chile with the support of Allende. Montand reflects on the role 　　of politics in culture and on the nature of political films, themes of considerable interest 　　to Marker. In addition, the film includes footage smuggled out of Chile that tracks the final 　　days of the democratically elected government of Allende before the coup of September 11, 1973. 　　Chris Marker, Nora M. Alter, 2006 　　A finely crafted film by the unique film-poet, Chris Marker, The Loneliness Of the Long-Distance Singer 　　aims to convey two aspects of the actor/singer Yves Montand: his political conviction and his artistic 　　integrity. In February 1974, Montand agreed to prepare in one week a performance of some of his best-known 　　songs for the benefit of the Chilean refugees after Allende’s overthrow. In this remarkable film, we 　　see the anxious tension, the moments of relaxation, everything which went into his polished appearance 　　on the stage at the Olympia in Paris. The skillful cuts back and forth between the final performance 　　and the rehearsals the week before allow us to see how carefully the show is put together by Montand. 　　He tests every gesture, goes over and over every rhythm change. His accompanist and friend, Bob Castella, 　　emerges as a warm, appealing personality, who in one excellent scene must stand up to Montand’s explosive 　　anger when there is a discrepancy between the music and the words. As we continue to be entertained by 　　Montand’s virtuoso singing, we are led by Chris Marker into a deeper understanding of the man. Montand 　　talks about politics, about women; we get film clips from some of his best roles (La Guerre Est Finie, 　　Z, The Confession, and so on). In the end, we understand Montand when he says: “I sing today so that we 　　don’t forget the blood of yesterday.

Two friends vie for the attention of a stranger who passes out at their doorstep.

Two friends vie for the attention of a stranger who passes out at their doorstep.

约翰（艾伦·阿金 Alan Arkin 饰）是一名聋哑人，在小镇上的一间礼品店里工作，听觉和语言的缺失让他拥有更加敏锐的洞察力，也更加容易看透人和事的本质。约翰住在租来的房间里，这个房间原来的主人是一个名叫米克（桑德拉·洛克 Sondra Locke 饰）的女孩。 　　米克和家人的关系很糟糕，在孤独中她对约翰产生了兴趣，可是，对于米克来说，约翰只是她派遣寂寞的工具而已，所以当她找到了新男友后，便将约翰置之度外。约翰遇见了一个内心有创伤的医生，一个无家可归的流浪汉，在约翰的陪伴和帮助下，他们都找到了人生新的方向，可是，没有一个人知道，在约翰的内心里，孤独和绝望的深渊正在将他缓慢吞噬。

失忆的鲁珀特在一个没有门窗的密闭房间中醒来，身边仅有一部手机。在调查过程中，他被过往的阴影纠缠，逐渐发现自己已陷入一场骇人的阴谋之中。